Signs That You're Doing Lip Trills Correctly and Efficiently
Lip trills, also known as lip rolls, are a highly beneficial vocal exercise that helps in breath control, relaxation, and vocal flexibility. Here are some key indicators that you are performing them correctly and efficiently:
Relaxed Lips
One of the most important signs is that your lips should feel completely relaxed and not strained. If you are experiencing any tension or discomfort, it might be an indication that your technique needs adjustment. Strain in the lips can hinder your ability to produce a smooth and consistent sound.
Consistent Sound
A steady and consistent sound is a clear sign of a well-executed lip trill. If the sound is waver or breaks, it often points to tension or improper airflow. A smooth, consistent tone indicates that you are maintaining proper technique.
Easy Airflow
Your airflow should be smooth and effortless. If you are having difficulty sustaining the trill, you might be pushing too much air or not using enough. A balanced airflow helps in creating a harmonious and continuous sound, which is essential for a successful lip trill exercise.
Vocal Fold Engagement
Another key sign is a gentle vibration in your lips with a clear connection to your vocal folds. This indicates that you are engaging your vocal folds properly without straining your throat. If you feel discomfort or tension in the throat, it might be an indication of improper technique.
Pitch Control
The ability to control the pitch is crucial. When gliding between notes, you should be able to smoothly adjust your pitch. If changing pitch is difficult, it might be a sign that you need to work on your breath support. Proper breath support is essential for maintaining pitch control during the trill.
Breath Support
Another important indicator is the ability to maintain the trill for several seconds without running out of breath, which demonstrates good diaphragm control. If you feel your breath support faltering, it might be necessary to focus on deepening your breath and stabilizing your diaphragm for better control.
Comfortable Range
You should be able to perform lip trills across your vocal range comfortably. If you feel discomfort in certain areas, it might indicate tension or improper technique. Practicing regularly can help you identify and correct any issues in your range.
No Fatigue
After practicing lip trills, you should not feel any form of vocal fatigue. If you do, it may be a sign that you are overexerting yourself. Proper technique and consistent practice can help prevent vocal strain and fatigue.
Conclusion
To improve your technique, consider practicing regularly and possibly consulting with a vocal coach who can provide personalized feedback. If you are a non-brass player, try to recognize the similarities in technique between lip trills and other vocal exercises.
Remember, a general rule in singing is that your performance is well-received when people find it well done. Take note of how you perform the exercise and replicate that technique consistently.
Additional Note:
For brass players, lip trills can differ. Here’s an explanation of how to practice them on the trumpet from my former classmate Joey Tartell. If you are not a brass player, you can skip the detailed explanation and focus on the core aspects of lip trills.